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I cannot\ncatch their tone of conversation, or appear interested in their\nconcerns, as I often see done.”\n\n“My fingers,” said Elizabeth, “do not move over this instrument in the\nmasterly manner which I see so many women's do. They have not the same\nforce or rapidity, and do not produce the same expression. But then I\nhave always supposed it to be my own fault--because I will not take the\ntrouble of practising. It is not that I do not believe _my_ fingers as\ncapable as any other woman's of superior execution.”\n\nDarcy smiled and said, “You are perfectly right. You have employed your\ntime much better. No one admitted to the privilege of hearing you can\nthink anything wanting. We neither of us perform to strangers.”\n\nHere they were interrupted by Lady Catherine, who called out to know\nwhat they were talking of. Elizabeth immediately began playing again.\nLady Catherine approached, and, after listening for a few minutes, said\nto Darcy:\n\n“Miss Bennet would not play at all amiss if she practised more, and\ncould have the advantage of a London master. She has a very good notion\nof fingering, though her taste is not equal to Anne's. Anne would have\nbeen a delightful performer, had her health allowed her to learn.”\n\nElizabeth looked at Darcy to see how cordially he assented to his\ncousin's praise; but neither at that moment nor at any other could she\ndiscern any symptom of love; and from the whole of his behaviour to Miss\nde Bourgh she derived this comfort for Miss Bingley, that he might have\nbeen just as likely to marry _her_, had she been his relation.\n\nLady Catherine continued her remarks on Elizabeth's performance, mixing\nwith them many instructions on execution and taste. Elizabeth received\nthem with all the forbearance of civility, and, at the request of the\ngentlemen, remained at the instrument till her ladyship's carriage was\nready to take them all home.\n\n\n\nChapter 32\n\n\nElizabeth was sitting by herself the next ", "shortDescription": " the original line by line, but from the\ncontractions above mentioned. He sometimes omits whole similes and\nsentences; and is now and then guilty of mistakes, into which no writer of\nhis learning could have fallen, but through carelessness. His poetry, as\nwell as Ogilby's, is too mean for criticism.\n\nIt is a great loss to the poetical world that Mr. Dryden did not live to\ntranslate the Iliad. 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