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hovel
hovel
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How
can I describe my sensations on beholding it? I feel yet parched with
horror, nor can I reflect on that terrible moment without shuddering and
agony. The examination, the presence of the magistrate and witnesses,
passed like a dream from my memory when I saw the lifeless form of Henry
Clerval stretched before me. I gasped for breath, and throwing myself on
the body, I exclaimed, “Have my murderous machinations deprived you
also, my dearest Henry, of life? Two I have already destroyed; other
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ourselves from, knowledge previously acquired; we must set aside old
notions and embrace fresh ones; and, as we learn, we must be daily
unlearning something which it has cost us no small labour and anxiety to
acquire.
And this difficulty attaches itself more closely to an age in which
progress has gained a strong ascendency over prejudice, and in which
persons and things are, day by day, finding their real level, in lieu of
their conventional value. The same principles which have swept away
traditional abuses, and which are making rapid havoc among the revenues of
sinecurists, and stripping the thin, tawdry veil from attractive
superstitions, are working as actively in literature as in society. The
credulity of one writer, or the partiality of another, finds as powerful a
touchstone and as wholesome a chastisement in the healthy scepticism of a
temperate class of antagonists, as the dreams of conservatism, or the
impostures of pluralist sinecures in the Church. History and tradition,
whether of ancient or comparatively recent times, are subjected to very
different handling from that which the indulgence or credulity of former
ages could allow. Mere statements are jealously watched, and the motives
of the writer form as important an ingredient in the analysis of his
history, as the facts he records. Probability is a powerful and
troublesome test; and it is by this troublesome standard that a large
portion of historical evidence is sifted. Consistency is no less
pertinacious and exacting in its demands. In brief, to write a history, we
must know more than mere facts. Human nature, viewed under an induction of
extended experience, is the best help to the criticism of human history.
Historical characters can only be estimated by the standard which human
experience, whether actual or traditionary, has furnished. To form correct
views of individuals we must regard them as forming parts of a great
whole--we must measure them by their relation to the mass of beings by who