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though Jane always struggled to support her
spirits, there were periods of dejection. It was reasonable, however,
to hope that they would not continue long. Mrs. Gardiner gave her the
particulars also of Miss Bingley's visit in Gracechurch Street, and
repeated conversations occurring at different times between Jane and
herself, which proved that the former had, from her heart, given up the
acquaintance.
Mrs. Gardiner then rallied her niece on Wickham's desertion, and
complimented her on bearin
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to write so even?”
He was silent.
“Tell your sister I am delighted to hear of her improvement on the harp;
and pray let her know that I am quite in raptures with her beautiful
little design for a table, and I think it infinitely superior to Miss
Grantley's.”
“Will you give me leave to defer your raptures till I write again? At
present I have not room to do them justice.”
“Oh! it is of no consequence. I shall see her in January. But do you
always write such charming long letters to her, Mr. Darcy?”
“They are generally long; but whether always charming it is not for me
to determine.”
“It is a rule with me, that a person who can write a long letter with
ease, cannot write ill.”
“That will not do for a compliment to Darcy, Caroline,” cried her
brother, “because he does _not_ write with ease. He studies too much for
words of four syllables. Do not you, Darcy?”
“My style of writing is very different from yours.”
“Oh!” cried Miss Bingley, “Charles writes in the most careless way
imaginable. He leaves out half his words, and blots the rest.”
“My ideas flow so rapidly that I have not time to express them--by which
means my letters sometimes convey no ideas at all to my correspondents.”
“Your humility, Mr. Bingley,” said Elizabeth, “must disarm reproof.”
“Nothing is more deceitful,” said Darcy, “than the appearance of
humility. It is often only carelessness of opinion, and sometimes an
indirect boast.”
“And which of the two do you call _my_ little recent piece of modesty?”
“The indirect boast; for you are really proud of your defects in
writing, because you consider them as proceeding from a rapidity of
thought and carelessness of execution, which, if not estimable, you
think at least highly interesting. The power of doing anything with
quickness is always prized much by the possessor, and often without any
attention to the imperfection of the performance. When you told Mrs.
Bennet this morning that if you ever resolved upon quitting Netherfield
you should be g